The perspective from which we view a situation infallibly provides us with a clear, irrefutable picture of its truthfulness, right? But what happens if we encounter someone who witnesses the same incident and comes away from it with a totally different interpretation? Both views can’t be “right,” can they? Or is it possible that none of us can see the totality of a scenario and claim to know everything about it? That’s the core takeaway from director Kore-eda Hirokazu’s latest feature, an ambitious, skillfully crafted tale told from multiple vantage points, all of them “correct” in their own right, despite the myriad differences that distinguish them from one another, a storytelling… 原文連結 ↗

I'm not usually a fan of children leading films, but hats have to come off here for a really delightful performance from the young Hinata Hiiragi as the shy and shunned "Hoshikawa". We will get to him in a minute, but first the film is delivered in three parts as a fire slowly devours a city centre tower block. The first episode introduces us to "Minato" (Soya Kurukawa). He's a bright and friendly boy who lives with his widowed mother (Sakura Ando). She starts to notice that his behaviour is a becoming a bit erratic and after some investigation begins to suspect that he is being bullied at school. A visit to the recently bereaved Principal (Yûko Tanaka) reveals that his teacher "Hori" (Eita… 原文連結 ↗