Writer/director Curry Barker’s leap from YouTube viral fame to the big screen is one of the best success stories in Hollywood, and Kane Parsons’ **BACKROOMS** for A24 later this month appears to be further proof that the road from YouTube to Hollywood — while still less traveled — can make all the difference. The viral success of Barker's [**MILK & SERIAL** (2024)](https://letterboxd.com/fixateandbinge/film/milk-serial/) showcased enormous potential and a natural instinct for low-budget horror filmmaking, making his transition to the big screen feel like a well-earned graduation. In **OBSESSION**, Barker has crafted a slow-burn psychological horror film that steadily builds careens… 原文連結 ↗

There’s a fine line between genuine affection and possession, and horror movies usually thrive when crossing it. I went into *Obsession* expecting a psychological deep dive into emotional dependency, but what we actually get is an experience that violently swings between brilliance and frustration. Directed by Curry Barker, the film swings big in its attempt to show toxic masculinity and the loss of free will. The first thirty minutes are genuinely suffocating, doing a great job of making you feel trapped. But while Barker takes huge risks for his debut feature, the movie stumbles trying to keep that momentum going. The real trouble starts when the story needs to stretch past its initial… 原文連結 ↗